Online Radio for the Doomed - Doom Metal Radio & Metal Webzine
A twist of fate and a newspaper ad brought together four young men from a nowhere suburb near Birmingham in the late ’60s. Four unemployed outsiders, broke and strung out, trying to pull out of themselves the kind of sound that could knock people to the floor. They wanted to make noise, as much as possible. To shake and rattle anyone who needed a real shakeup. In other words, everyone.
It’s 1971, and Black Sabbath already had two very successful albums behind them, especially considering how little support they got from the press and the industry. Paranoid gave Ozzy the freedom to wail and scream with unchecked confidence, let Tony Iommi unleash distortion straight from hell, let Geezer Butler keep delivering wild and dominant bass lines, and gave Bill Ward space to drum more and more aggressively.
STATE OF DOOM #13: NEW AND NEWER SOUNDS IN DOOM METAL
As spring decays, three albums rise to pull us back into the soil. Grief and the slow collapse of light – this is death-doom reduced to its essence.
Playlist Update 18.7.2025: Soliloquium; Morast; Veil Of Conspiracy
These are the albums we return to. Works that refuse to stay within the confines of music alone. The Boats of the Glen Carrig remains faithful to Hodgson’s novel and carries his ocean forward into another medium, letting its silence and strangeness take on new form.
Playlist Update: Deer Creek; On Thorns I Lay; Malokarpatan
Instead of describing Solaris in typical terms, we imagined it as a recovered journal from an astronaut adrift in deep space. This fictional narrative reflects the atmosphere of the music: disorienting, expansive, and alive with its own strange gravity. Consider this a descent into Voidsinker’s world, where sound becomes landscape, and memory dissolves into light.
This is where Doomnation Radio meets the world of poetry! In Elegy Fragments, we share carefully chosen lines from the great elegiac poets. These are not full texts, but excerpts that stand alone in their beauty and melancholy. To accompany each fragment, we pair a song whose soundscape reflects the atmosphere and emotional weight of the words. And together, they create a space where language and sound converge.
