DoomnationRadio
Doom metal radio and an independent magazine for heavy music, cinema, literature, and art.
Two Japanese films made two years apart turn damaged faces into problems of identity. Kaneto Shindō explicitly linked Onibaba's mask to atomic-bomb disfigurement; Hiroshi Teshigahara's The Face of Another places...
Robert Wiene’s The Hands of Orlac (1924) turns a pianist’s hand transplant into a crisis of agency. Read beside postwar reconstructive surgery, Freud’s Vienna, and Paul Wittgenstein’s one-handed career, the...
William Friedkin's 1973 film, adapted from William Peter Blatty's novel, takes that logic and dismantles it. The Exorcist is a film about a demon who operates through misdirection, feeding medicine,...
Paul Wegener's Der Golem does not adapt Gustav Meyrink's novel. It reworks the older Prague legend into a story of persecution, protection, and delegated power, while Hans Poelzig and Marlene...
Doom Cinema exists because certain films and certain music share the same blood. They were built in different rooms, by different hands, but they arrive at the same place: enclosed...
The cinematic legacy of Nakadai, born Motohisa Nakadai in Tokyo in 1932, finds its foundation in a unique artistic discipline. He maintained throughout his life a primary dedication to the...
The greatest lesson we take from Pi today is the terrifying clarity of its warning. We learn that the relentless pursuit of absolute pattern and predictability can destroy the self....
When the Nobel Committee named László Krasznahorkai this year as the winner in the literature category, they spoke of his apocalyptic rhythm and circling prose. That description fits another figure...
When Robert Wiene released The Cabinet of Dr. Caligari in 1920, Europe was still marked by the shock of war. Cities broken, men returned hollowed, authority both feared and obeyed....
Released in 1934, during the brief and lawless Hollywood's pre-Code era, when filmmakers were free to explore darker themes that would soon be censored by the Production Code, Edgar G....
Ingmar Bergman’s Hour of the Wolf (Vargtimmen, 1968) is a chaotic descent into paranoia and existential horror, a film that erases the boundaries between reality and nightmare. Starring the brilliant...