Tagged: Interview

Requiem in White named themselves after the Catholic Mass for the Dead, played the New York underground in a former Episcopal church on 20th Street, and circulated their recordings on cassette without ever explaining a single one of them. The Boston gothic rock band dissolved in 1994. Thirty-two years later, Doc Hammer and Lisa Stockton-Wilson have returned with The Visible Heaven, released through The Circle Music on May 21, 2026. The silence had a theory behind it, and the gap it left had a price.

The Ruins of Beverast is Alexander von Meilenwald’s solo project, formed in Aachen, Germany in 2003. Seven full-lengths in, he named the latest after enkoimesis, the ancient Greek practice of sleeping inside a temple to receive oracular dreams that a priest then had to translate. The parallel is the key to everything his music does. Von Meilenwald answered our questions about the record, the ritual, and twenty-three years of making music that answers only to itself.

Bir Tawil is a strip of desert on the Egypt-Sudan border that neither country claims. In 2013, a musician from Bordeaux, Xavier Godart, named his solo project after it. The logic turned out to run deeper than the name. Dua Min, Birtawil’s 2026 album, is a record about what happens when unclaimed territory finally gets a structure imposed on it: drum machines, live performance, industrial coldness, and six tracks in Esperanto that move from feeling to death. Godart on autonomy, solitude, and the cost of friction.