Reaching Into the Void: An Interview with Requiem in White
Requiem in White named themselves after the Catholic Mass for the Dead, played the New York underground in a former Episcopal church on 20th Street, and circulated their recordings on...
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Requiem in White named themselves after the Catholic Mass for the Dead, played the New York underground in a former Episcopal church on 20th Street, and circulated their recordings on...
The Ruins of Beverast is Alexander von Meilenwald's solo project, formed in Aachen, Germany in 2003. Seven full-lengths in, he named the latest after enkoimesis, the ancient Greek practice of...
Named after Bir Tawil, Xavier Godart’s solo project has spent more than a decade treating isolation as a working method. On Dua Min, live performance and a tighter electronic framework...
Photo: MarVey Fotos/ Markus Veyhle
Mirror of Deception's sixth album Transience moves between the Demeter's ship log, a dolphin skull found in southern Chile, and Bronze Age violence in the Tollense Valley. Jochen Fopp and...
Athens band Catapult The Sun arrive at their first full-length with a record built from copper engravings, biblical quotation, Greek myth, and live feedback. Guitarist and composer Panagiotis explains how...
Doomnation Radio caught up with frontman Misha to talk about the meaning behind the band’s name, the evolution from Telestai to The Broken Sacrament, and what makes the Polish doom...
In this interview, Buzzard’s mastermind Christopher Thomas Elliott delves into the origins of the project, the creative processes behind Doom Folk, and the influences that shaped its distinctive sound
In this interview, we explore the creative vision of Martin, the mastermind behind the one-man doom metal project Blissful Stream.