Independent heavy music culture - Est. 2013

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Reviews

Review

Review: Death Has Spoken – Elegy (2025)

Formed in 2017 in Białystok, Poland, Death Has Spoken have grown into a reliable presence within the country’s doom/death scene. Poland keeps a firm grip on its doom offerings, and...

October 25, 2025·Lihi Laszlo
Review

Review: Novembers Doom – Major Arcana (2025)

Across three decades, Novembers Doom have refined decay into discipline. Recording since 1995, the American band’s sound has aged alongside its voice, turning experience into structure. Major Arcana extends that...

October 4, 2025·Lihi Laszlo
Review

Review: Der Weg einer Freiheit – Innern (2025)

Der Weg einer Freiheit turn inward on their sixth album, using blast-beat violence, piano, silence, and recurring images of suffering and renewal. Innern means “inward,” not “to remember,” and the...

September 21, 2025·Lihi Laszlo
Review

Review: Paradise Lost – Ascension (2025)

Paradise Lost’s seventeenth album arrives as their most commanding release since Faith Divides Us, Death Unites Us. It does not attempt reinvention, but it draws together every strand of the...

September 19, 2025·Lihi Laszlo
Review

Review: Ritual Mass – Cascading Misery (2025)

Cascading Misery begins in density. The guitars arrive thick and murky, closer to the drag of earth shifting under pressure than to anything sharpened or metallic. The vocals enter as...

September 12, 2025·Lihi Laszlo
Review

Into the Cosmic Void: Void Sinker’s Solaris (2025)

Instead of describing Solaris in typical terms, we imagined it as a recovered journal from an astronaut adrift in deep space. This fictional narrative reflects the atmosphere of the music:...

July 5, 2025·Lihi Laszlo
Review

A Beauty in Despair: 30 Years of Draconian Times

There are albums that stay with you long after the music fades. Albums that do not simply fill a room but settle into the corners of your life. Draconian Times...

June 13, 2025·Lihi Laszlo