Tagged: 2025

Beyond the Doom: Darvaza – We Are Him (2025)

Released in December 2025 through Terratur Possessions, We Are Him is a visceral reminder of what happens when black metal is played with genuine, predatory intent. Omega handles every instrument with a level of focused aggression that bypasses the typical lo-fi murk, opting instead for a production style that is punchy and massive.

25 of ’25: Favorite Albums of 2025

As the frost of January 2026 begins to thin and we find ourselves on this final day of the month, it’s time to look back at the tectonic shifts of the year that was. 2025 didn’t just give us the (pretty expected) funerals; it surprised us with a series of massive, lively comebacks. We saw legendary names rise from the crypt and long-silent projects return with a ferocity that proved the “old world” is the only world – a timeless, decaying landscape where the shadows never truly fade!

Review: The Howling Void – The Glow Of A Distant Fire (2025)

The April 2025 release of The Glow Of A Distant Fire, the ninth full-length album by The Howling Void, the monolithic, San Antonio, Texas-based one-person project of Ryan Wilson, is less an evolution than a culmination of his symphonic funeral doom style, immediately asserting itself as a standard for the genre. While deeply rooted in the genre’s defining characteristics of glacial pacing and oppressive atmosphere, the album distinguishes itself by leveraging immense soundscapes, aimed for intense philosophical introspection.

Review: Pilgrimage – From Amber to Sun (2025)

Attention! Pilgrimage have unleashed their second album, From Amber to Sun, an overwhelming masterclass in Death-Doom Metal saturation. This cross-border alliance, anchored by musicians from Malta and The Netherlands, constructs sloe, monolithic structures of sound. Titanic low-end frequencies and ice-age tempos establish an immense, terrifying scale.

Review: Evoken – Mendacium (2025)

Evoken stands as one of the fundamental pillars of American extreme doom metal. Formed in 1992 (under the initial name Funereus), this New Jersey collective has spent over three decades helping to define the sound of funeral doom – a genre characterized by its glacial pace, overwhelming psychological gravity, and mournful atmosphere.