Online Radio for the Doomed - Doom Metal Radio & Metal Webzine
A signal comes before the full transmission. (((SIGNALS))) is Doomnation Radio’s space for bands to tell us about their new single and what it points toward: why this song came first, where it lives on the album, and what world it carries inside it. Three questions only, the rest is up to them.
A signal comes before the full transmission. Signals is Doomnation Radio’s space for bands to tell us about a new track and what it points toward: why this song came first, where it lives on the record, and what world it carries inside it. Three questions, the rest is up to them.
Sisyphean’s third album funnels Camus, a medieval emperor’s epithet, and the psychology of manipulation into 42 minutes of dissonant black/death metal from Vilnius. Produced at Poland’s Hertz Studio, Divergence is the sharpest and most daring record yet from a band built around one guitarist’s twelve-year refusal to stop.
Noise, the anonymous German musician behind Kanonenfieber and Leiþa, returns with the fifth Non Est Deus full-length. Blessings and Curses is his most chaotic record yet: melodic black metal built for festival crowds that never loses the claustrophobia of a one-man operation, and an indictment of religious coercion that lets the scripture do the talking.
Drummer Simon on studios, influences, and the particular weight of building something heavy in a city that has never asked for it.
Fossile are a stoner doom band from Finland, and “No King” is their debut single, arriving ahead of their first full-length album, due in May 2026. Lanke answered our three questions.
Twenty-three years into one of extreme metal’s most uncompromising discographies, The Ruins of Beverast deliver Tempelschlaf: seven tracks of blackened doom that move closer to the live stage than anything von Meilenwald has attempted before, while remaining as resistant to easy interpretation as the oracular dreams the album takes its name from.
Demetra Cartsos is fifteen years old. She fronts a band, writes the songs, manages the bookings, runs the social media, attends regular school and music school in the same week, and still finds time to have nightmares worth writing about. The Devastation, the Vienna occult rock and metal band she founded in February 2025 at fourteen, spent their first year winning competitions, opening for established acts, and playing every serious doom stage the Austrian underground had to offer
Melbourne’s Jack Harlon & The Dead Crows built their mythology around a drug-addicted gunslinger moving through a science fiction Western landscape.
