Online Radio for the Doomed - Doom Metal Radio & Metal Webzine
Meret was founded in Heinola in 2025. Its core is Mikko Kolari, Hanging Garden’s longest-serving guitarist, and Janne Jukarainen, who drummed on that band’s earliest records. Toni Hinkkala writes the songs and sings them. Pasi Löfgren plays bass. Meret answered our questions.
Litúrgia’s debut album, I, delivers six tracks of Catalan epic doom from Barcelona, sung entirely in their native tongue and rooted in the mythology and landscape of Catalonia. The band perform in hooded pilgrim robes and call themselves the Pilgrim Order of Holy Fear. The model for what they are doing is older than doom metal: Romanesque art, made to teach legends and scripture to a congregation that could not read.
Kalmo means cadaver in Finnish. The three-piece, Mika on vocals, Pekka on guitar, and Anu on bass, grew from what was originally Mika’s solo project, the expanded lineup appearing for the first time on the 2025 single Thy Chosen One. “Feeding the Worms” is the third in a running series of singles, following Thy Chosen One and Thy Saviour, Thy Master, both from 2025. Mika answered our questions.
A signal comes before the full transmission. (((SIGNALS))) is Doomnation Radio’s space for bands to tell us about their new single and what it points toward: why this song came first, where it lives on the album, and what world it carries inside it. Three questions only, the rest is up to them.
A signal comes before the full transmission. (((SIGNALS))) is Doomnation Radio’s space for bands to tell us about their new single and what it points toward: why this song came first, where it lives on the album, and what world it carries inside it. Three questions only, the rest is up to them.
A signal comes before the full transmission. Signals is Doomnation Radio’s space for bands to tell us about a new track and what it points toward: why this song came first, where it lives on the record, and what world it carries inside it. Three questions, the rest is up to them.
Sisyphean’s third album funnels Camus, a medieval emperor’s epithet, and the psychology of manipulation into 42 minutes of dissonant black/death metal from Vilnius. Produced at Poland’s Hertz Studio, Divergence is the sharpest and most daring record yet from a band built around one guitarist’s twelve-year refusal to stop.
Noise, the anonymous German musician behind Kanonenfieber and Leiþa, returns with the fifth Non Est Deus full-length. Blessings and Curses is his most chaotic record yet: melodic black metal built for festival crowds that never loses the claustrophobia of a one-man operation, and an indictment of religious coercion that lets the scripture do the talking.
Drummer Simon on studios, influences, and the particular weight of building something heavy in a city that has never asked for it.
